qtySource: FieldMap

Products with this attribute (349804 total)

The Tascam <b>ML-4D/OUT-E</b> is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-E is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-E supports up to 96kHz/24bit and uses Euroblock connectors for analog line output.</p><p><b>4 line output, 4 Dante input/output</b><br />The ML-4D/OUT-E not only converts Dante signals into 4-channel line signals; it can also convert them into 4-channel Dante output signals, making it possible to direct these to a Dante established network using the built-in DSP matrix mixer.</p><p><b>The Dante Compact Processor Series has a line-up of models with different input/output specifications:</b><br /><li>MM-4D/IN, 4-channel mic/line input</li><li><b>ML-4D/OUT</b>, 4-channel line output</li><li>MM-2D, 2-channel mic/line input/output</li><li>AE-4D, AES/EBU 4-channel input/output</li></p><p>For analog input/output models, the branch extends with units equipped with Euroblock or XLR connectors that users can choose depending on their usage. By combining multiple different units all at once, it is possible to match and introduce them into various systems.</p><p><b>Optimal input/output unit for different Dante systems</b><br />The Dante Compact Processor Series provide easy additional mic/line or AES/EBU input/output to several situations and places such as public facilities, broadcasting stations, recording studios, etc. where Dante systems are being used. They are the optimal input/output unit for small scale environments.</p><p><b>Structuring small scale systems with the DSP function</b><br />The Dante Compact Processor Series are equipped with a matrix mixer that includes a DSP feature with compressors, parametric EQs, limiter, delay, etc. functions. From the input of microphone signals to the output of powered speakers; also applicable with recording/playback systems, the Dante Compact Processor Series can build up a complete small system on their own.</p><p><b>Flexible routing</b><br />Routing to each Dante device is easy via Dante controller. Input/output units can be added flexibly to new or already established Dante systems.</p>
The Tascam <b>ML-4D/OUT-X</b> is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-X is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-X supports up to 96kHz/24bit and uses XLR connectors for analog line output.</p><p><b>4 line output, 4 Dante input/output</b><br />The ML-4D/OUT-X not only converts Dante signals into 4-channel line signals; it can also convert them into 4-channel Dante output signals, making it possible to direct these to a Dante established network using the built-in DSP matrix mixer.</p><p><b>The Dante Compact Processor Series has a line-up of models with different input/output specifications:</b><br /><li>MM-4D/IN, 4-channel mic/line input</li><li><b>ML-4D/OUT</b>, 4-channel line output</li><li>MM-2D, 2-channel mic/line input/output</li><li>AE-4D, AES/EBU 4-channel input/output</li></p><p>For analog input/output models, the branch extends with units equipped with Euroblock or XLR connectors that users can choose depending on their usage. By combining multiple different units all at once, it is possible to match and introduce them into various systems.</p><p><b>Optimal input/output unit for different Dante systems</b><br />The Dante Compact Processor Series provide easy additional mic/line or AES/EBU input/output to several situations and places such as public facilities, broadcasting stations, recording studios, etc. where Dante systems are being used. They are the optimal input/output unit for small scale environments.</p><p><b>Structuring small scale systems with the DSP function</b><br />The Dante Compact Processor Series are equipped with a matrix mixer that includes a DSP feature with compressors, parametric EQs, limiter, delay, etc. functions. From the input of microphone signals to the output of powered speakers; also applicable with recording/playback systems, the Dante Compact Processor Series can build up a complete small system on their own.</p><p><b>Flexible routing</b><br />Routing to each Dante device is easy via Dante controller. Input/output units can be added flexibly to new or already established Dante systems.</p>
The TASCAM <strong>Model 24</strong> was developed for easy and immediate operation, with everything you need placed right at your fingertips. 100mm faders allow for precise control over volume. A full set of familiar EQ and Auxiliary knobs remove the need to menu diving, and all input/output connections are all on the surface for quick and easy access.</p><p>Featuring 16 high-grade TASCAM mic preamps in addition to multiple sets of stereo line inputs, the Model 24 delivers studio quality audio performance right from the start. When it's time to record The TASCAM Model 24 allows musicians and engineers to capture up to 24 tracks simultaneously (at 24bit/48kHz resolution) directly to the SD card, with the ability to support punch in/out 8 tracks at the same time. And once the take is done, the Model 24 can easily playback any or all of the recorded tracks through the console for immediate mixdown.</p><p>In addition to the studio quality mic preamps and powerful EQ and routing options the Model 24 features a dedicated stereo channel 1/8", dual RCA Bluetooth&trade; connectivity. This allows users to easily integrate mobiles devices into the mix for rehearsal playback, walk-in music and more. Finaly, the TASCAM Model 24 can also act as a powerful audio interface and will connect directly to your PC or Mac for easy integration with your DAW of choice.</p><p>Designed to be both lightweight and rugged, the Model 24 can easily be carried from studio to stage with the confidence that TASCAM's legendary reliability will keep the music going.</p>
The Thermionic Culture <b>Earlybird 4</b> contains 4 channels of extremely high quality valve pre-amplification. Originally made in black in 1999, this is a special "revival" limited edition in red (limited to 49 only). The black edition is still available with the updated circuitry.</p><p>As the individual channel circuitry in this version of the Earlybird has been simplified in order to provide 4 channels in one 19" unit, so the individual channel specifications have risen. Thus making this the most natural sounding, high quality version of the Earlybird preamp to date.</p><p>Effectively giving the user the cleanest possible valve gain with a range from 3dB to 62dB and a switchable input impedance to help in matching the unit with different microphones.</p><p>This is one of Thermionic Culture's all handwired products with point to point wiring throughout.</p><p>The circuit design utilizes a 'push pull' 'class A' type of valve amplification in order to provide ultimately clean gain, giving the lowest noise and distortion figures possible in a microphone amplifier.</p><p>The input and output transformers have received special attention and by working together with Sowter transformers, designs have been created that bring better results than ever before. The lowest phase shift and highest headroom are both benefits brought by these designs.</p><p>It's unusual to hear a mic amp with the Earlybird 4's qualities and after years of improvements Vic Keary proudly declares this "The best, most real mic. amp ever". We hope that on hearing the unit's beautiful results yourself, you will agree with Vic.</p><p>The pair of VU meters show the signal levels for 2 selectable channels. VU meter A is switchable between channels 1 and 3. VU meter B is switchable between channels 2 or 4. 4 red LEDs light up when the output of the amplifiers exceeds +10 dBm, though don't worry - there's still 20dB of headroom left in the Earlybird!</p><p><b>Operational Suggestions:</b><br />For most microphones 300&Omega; will give best results. 1200&Omega; is recommended by Neumann for FET mics. 1200&Omega; is good for SM58s. For high level inputs, eg. kick drum, use the Pad to reduce level. With Pad in the input, Z will be 2k&Omega;.</p><p>Keep Output Level controls near maximum for cleanest results, low and increase Gain control if a bit of distortion is what you want. The electronics have plenty of headroom for most purposes, so don't worry too much if the needle of the meter hits the end stop.</p><p>High gain settings make the sound more 'gritty' than lower ones, which are very smooth.</p>
The Tripp Lite <b>B126-1A1-U-MCRO</b> Micro-HDMI to HDMI over Cat5/Cat6 Active Extender Kit includes a transmitter unit and a receiver unit that work in tandem to extend an HDMI audio/video signal from a Micro-HDMI source to an HDMI projector, monitor or television. The kit is ideal for digital signs, trade shows, presentations, classrooms, churches, retail settings and other applications where the video source is located farther than conventional cables allow. </p><p>The transmitter's built-in Micro-HDMI cable connects to the audio/video source, and the receiver's built-in HDMI cable connects to the display. Cat5e/6 cable connects the two units (for best results, use 24 AWG solid-wire Cat5e/6 cable, such as Tripp Lite's N202-Series). Each unit is powered by an included USB Micro-B to USB-A cable, which must be connected between the unit and a USB port on the source, display or USB wall charger. You can also connect an optional HDMI monitor to the transmitter's local port with a user-supplied HDMI cable, such as Tripp Lite's P568-Series.</p><p>The B126-1A1-U-MCRO can extend a 1080p (@ 60 Hz) signal up to 125 feet with full, rich stereo. Built-in RJ45 LEDs indicate the units are receiving power and a signal from the source. Built-in equalization control lets you fine-tune the image quality at each remote display. Easy to set up with no software or drivers to install. Works with all operating systems and HDMI sources.</p><p><b><ins>System Requirements</b></ins><br />Laptop, Ultrabook&trade;, tablet or other source with Micro-HDMI port<br />Display with HDMI port</p>
The UNiKA <b>NBB-1616E</b> breakbox adopts Audinate Dante networking technology for audio transceiving, and is very network friendly with unlimited flexibility in topology of deployment. It supports up to Layer 3 of IEEE 802.3 network standard, enabling you to organize your audio network with the on-the-shelf Ethernet switches or to immediately transport streaming audio by taking advantage of your existing installated network facility with no hassle. Even better, every NBB-1616 breakbox comes out with two Ethernet ports which allow you to physically cascade several NBB-1616s in the same network link. You can also configure the two Ethernet ports to work independently but parallelly, which means you can redundantly route two links for seamlessly network backing up of each other. This extremely gains flexibility or reliability in device deployment for audio networking.</p><p>Audio routing among NBB-1616s and all the Dante-enabled consoles or workstations can be configured via computer with dedicated Dante Controller software which is available free from Audinate website. With Dante Virtual Soundcard software, you are even able to have your DAW software direct record/play multitrack streaming audio from/to NBB-1616 breakbox.</p><p>The audio input and output interfaces of NBB-1616 breakbox are fully met the requirement of professional audio industrial. Audio is encoded with the latest and uncompressed 24-bit PCM encoder with sample rate in 48KHz, 96KHz, or even up to 192KHz for extremely exquisite applications. The outputs are peculiarly buffered with amplifiers of high-rail-voltage which can drive the lines up to 24dBu. In addition to the high-level of drive capability on outputs, all inputs of NBB-1616 breakbox accept signal level from mic to line with individual input gain and phantom power control. The NBB-1616 also equipped with 16 PPM meters with clip hold functionality for all the input or output channels. This feature we think it is very important for the audio technicians to simultaneously monitor all the input levels from clipping.</p><p>The NBB-1616 breakbox is regularly shipped with channel capacity of 16 analog inputs and 16 analog outputs (i.e., 16 x 16 I/O). However, it is not restricted itself here and you have the option to double the channel capacity for additional 16 x 16 I/O with an expansion box. With the box, you therefore can consolidate totally 32 x 32 audio into the same Ethernet cable.</p><p>Furthermore, the NBB-1616 breakbox is firmware upgradeable to support AES67 audio transport in near future.</p>
The USB32HDES Slim USB 3.0 to HDMI Adapter turns a USB 3.0 port into an HDMI output with 1920x1200/1080p video support. The adapter minimizes clutter with a slim design that seamlessly blends with your video cable - an ideal space-saving solution for multi-monitor applications on UltrabookT, laptop, or desktop computers.</p><p>Functioning as an external graphics card, this USB to HDMI adapter provides a convenient way to add multi-monitor capability to a USB 3.0-enabled desktop or laptop computer (optimal performance from USB 3.0, backward compatible with USB 2.0).</p><p>To save space while travelling, this ultra-portable USB to HDMI adapter features a lightweight, small footprint design that fits easily in a laptop carrying bag.</p><p>Leveraging the high-bandwidth (5 Gbps) SuperSpeed USB 3.0 interface, the adapter delivers smooth, high-definition content to your HDMI display/projector. The adapter can be used to mirror your primary desktop, showing the same image on each display, or to extend your desktop to double your workspace and increase your productivity.</p><p>APPLICATIONS:<br />Add a secondary HDMI display with full HD capability<br />View large or multiple spreadsheets across several displays<br />Use the adapter to connect your PC to your HDMI-equipped projector or display for viewing family pictures and movies<br />Add multi-monitor capability to a single computer, to create engaging multimedia presentations<br />Great for researchers and writers offering the ability to have reference material on one display and a working document copy on the other<br />Run multiple applications on different screens - check your email on one display and search the web on the other</p><p><strong>Note: not compatible with Mac products</strong></p>
The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/ V equipment. Designed with single-person operation in mind, the VR-4HD enables easy switching and mixing of sound and video using advanced video and audio Digital Signal Processing (DSP) along with dedicated hardware controls faders, buttons and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming interface into a stand-alone device.</p><p>The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The built-in multi-view screen is also a touch screen interface for accessing set-up parameters, making it extremely easy to adjust picture-in-picture settings by dragging the inset window onto the screen.</p><p><b>Yesterday's Video Sources</b><br />The VR-4HD has three dedicated HDMI input connectors compatible with a variety of equipment and support 1080p/1080i/720p video resolution. The fourth input includes a scaler to support both video and computer resolutions and also supports analog RGB and component input so older devices can be used as sources without the need for external conversion equipment.</p><p>Both progressive and interlace signals can be input allowing for both 1080i and 1080p signals to be used at the same time. Video signals input from a PC are accurately displayed thanks to progressive signal processing. HDCP is supported for input of copy protected content from devices such as Blu-ray disc players.</p><p><b>Compositing Effects</b><br />The VR-4HD includes DSK (Downstream Keying), Picture-in-Picture (PinP), Split and Quad composting effects ideal for creating news style broadcasts and corporate presentation content.</p><p>The DSK function is great for overlaying titles, song lyrics or logos onto incoming video sources that can be switched in the background while text or images remain displayed.The DSK supports both Luminance Keying (Black / White) and Chroma Keying (Blue / Green) for compositing two videos in one screen using Picture-in-Picture, or for using the split function - ideal for seminars and presentations.</p>
The Wohler <strong>AMP1-DA/106</strong> provides self-powered, full-fidelity stereo audio monitoring of 2 channels from analog and AES/EBU Digital sources and ultra-high resolution LEDs with 106 segments in the smallest rack space possible.</p><p>This unit contains four high performance transducers driven by three power amplifiers: one amplifier/driver combination handles midrange and high frequency information in stereo, while the second handles summed low frequency information below the 500 Hz crossover point. The unique design provides optimally focused sound for operators in an ultra near field (1 to 3 ft.) working environment and offers performance comparable to that of many separate monitor pairs, yet does so without the installation hassles, awkward speaker placements and "added-on" look. This provides for a higher SPL for the operator while reducing overall ambient sound and adjacent bay crosstalk. The level meters are now available with a choice of BBC, DIN, Nordic and VU scales and PPM Only.</p><p>Extended HF response reveals potential problems with audio, whine, or hiss. Electronic rather than acoustic cancellation of bass frequencies provides positive audible detection of out-of-phase (reversed polarity) audio feeds. A headphone jack is provided on the front panel, usage automatically mutes the speakers. Output limiter circuits are incorporated to protect the speakers, and extensive magnetic shielding allows placement immediately adjacent to video monitors with no color impurities. Our unique tri-color LED design means we can offer an almost unlimited variety of options such as phase correlation, peak hold, and alternate scales.The standard display mode is set as a single segment PPM "dot" above a VU bar; each segment's color is fixed according to its position on the scale. Level calibration may be set via dip switches to select one of four different calibration levels.</p><p>The AMP1-DA/106 is ideally suited for use in VTR bays, mobile production vehicles, teleconferencing installations, multimedia systems, satellite link and cable TV facilities, and on-air radio studios.</p>
The XPRO Monopod Aluminium 4-section with Fluid Video Head is a professional full fluid video monopod made to satisfy videographers who leverage the height of their monopod to get above crowds and to achieve a wide range of shooting angles. These state-of-the-art Manfrotto legs have inherited the perfect combination of rigidity and locking safety of professional tripod ranges, like the 190 collection and 055 collection. This monopod is equipped with Manfrotto's full fluid base (MVMXPROBASE) featuring the innovative FLUIDTECH system that makes Manfrotto XPRO Monopod+ the first of its kind on the market to feature 3D fluidity. The FLUIDTECH video base enables the ultimate shooting smoothness on pan, tilt and swivel for an expanded range of perspectives. The three retractable feet make it extremely portable when folded and allow the monopod to be easily carried everywhere. The new D-shaped aluminium tubes greatly improve anti-rotation resistance throughout the monopod, following the videographer's rapid rotation movements. Combined with the Quick Power Lock (QPL) which strongly locks the lever onto the monopod tube's flat side, this eliminates unwanted jerky movements. The newly designed leg warmer guarantees exceptional grip and full footage control with a special version of the successful Manfrotto 500 video head The MVMXPRO500 exploits the MVH500AH's powerful counterbalance system for managing heavier equipment such as interchangeable lens cameras, with a wider platform to support HDSLR bodies. It is extra-lightweight and compact, so you won't even notice it's in your kit bag, but you can always rely on it to carry up to an impressive 5kgs, blending strength with portability. The combination of fluidity provided by both the 500 head and the FLUIDTECH base make this the perfect kit for demanding videographers who need clever, fast-to-set-up and easy to use support for their professional video footage. The camera quickly slots in from above thanks to the accessible side lock system (rather than a lock on the back) and it's so secure there is no need for a secondary lock. The MVMXPRO500 has one Easy Link 3/8" connector to fit an external monitor or other accessories and it comes with the Manfrotto 500PLONG video camera plate. The MVMXPRO500 replaces the Manfrotto MVM500A</p>