The Pro Co TradeTools AV1B Audio-Visual Interface allows the line-level outputs of audio and video playback devices, etc., to be connected to microphone inputs of house or portable P.A. systems for programs in school auditoriums, lecture halls, civic meetings and corporate board rooms. The AV1B provides audio interfacing and isolation with wide response and low distortion.</p><p>Three different types of input connectors-1/4" (6.3mm) T/R/S phone, 2 RCA-type phono, and 3.5mm T/R/S mini jacks - simplify connection of most equipment. The PAD IN/OUT attenuator switch allows greater flexibility for handling line output sources at either "hi-fi" -10 dBV or "professional" +4dBm levels. The DBT-1 transformer provides a floating 150-ohm output with a standard 3-pin male XLRtype connector, so connection to most P.A. system mixers or mixer/amplifiers requires only a standard microphone cable. The GND/LFT switch eliminates hum and buzz from AC ground loops between equipment. For further versatility of operation, there is also a 1/4" (6.3mm) unbalanced line-level output.</p><p>The AV1B's construction and components are top-grade throughout, ensuring trouble-free operation in educational, institutional and A/V rental settings. Pro Co's "Uni-box" enclosure is formed of extruded aluminum side channels and 16-gauge steel top, bottom and end plates and is designed to protect it's switches and connectors from accidental damage. The use of steel also provides excellent magnetic shielding for the transformer from EMI/RFI fields. The finish is durable black textured powder coat on the end plates and the side channels are black anodized aluminum. Easily readable control and connector identification graphics are incorporated into a durable Lexanr overlay on the top panel. The uniquely slotted side channels allow for stacking on top or strapping side-to-side of virtually any number of Pro Co TradeTools devices using the Uni-box construction.</p>
The Radial <b>USB-Pro</b> is a high-resolution stereo direct box designed to convert sound files from a laptop computer and seamlessly transfer them to a pair of balanced audio outputs to feed a PA, recording or broadcast mixing console.</p><p>Made to be plug & play easy to use, the USB-Pro automatically configures itself for use with all popular operating systems including Mac OSX, Windows XP, Vista and Windows 7, thus eliminating the need to load special drivers. Unlike devices that are limited with 16 bit, 44.1kHz conversion rates, the USB-Pro elevates the performance with true 24 bit, 96kHz stereo converters to deliver more headroom and greater detail. This eliminates the need for additional sound cards or separate converters when transferring files, further streamlining production in busy work environments. </p><p>Connection from the laptop is done via the 'pro-audio standard ' USB type-B port. Digital-to-analog conversion is monitored with the built-in headphone amplifier to ensure the signal is being properly downloaded and converted. A mono-sum switch may be engaged to check for phasing or facilitate signal distribution to two outputs should this be preferred. One simply sets the output volume control to suit. Should hum or buzz caused by ground loops be encountered, two 'set & forget' side-access switches let you insert isolation transformers into the signal path to block stray DC voltage offsets. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on the two XLRs. </p><p>As with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque which could otherwise cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation, further advantaging the user.</p>
The RB-ML2 is a stereo microphone and line level limiter. The unit is mainly used where assistance with level control is required, for protection of mixer inputs and to prevent distortion. Ideal for news-booths, and the input to PC workstations, it provides an economical level control solution. </p><p>The RB-ML2 has two electronically balanced XLR-3 inputs, which are routed to a line amplifier, or microphone amplifier, via a rear push-button. The microphone amplifiers have independent pre-set gain controls, and DIP switches for a high pass filter (low frequency roll-off at 125Hz) and phantom power to provide +48V to the connected microphones. </p><p>The outputs of these amplifiers are passed through a VCA limiter circuit that can operate jointly on the signals in stereo mode, or independently in dual mono mode. The rear panel mode switch changes the unit from dual mono to stereo. Stereo limiting operates by limiting both left and right outputs if either left or right input needs to be limited. Dual mono limiting operates by limiting left and right signals individually, so you can use the RB-ML2 as two separate mono mic/line limiters.</p><p>The characteristics of the limiter can be set via level threshold pre-sets. For each channel there is an input gain and a threshold level control. With the limit threshold set to maximum, the input through to output can be normalised using the input potentiometers. Once the unit is acting as a buffer with gain/attenuation, the limit threshold level can be set, with the recovery adjusted for the application. The power LED indicates limiting by flashing. </p><p>The two XLR-3 electronically balanced outputs can be set to either line or mic output levels via a push-button. This allows the RB-ML2 to be used in line with a line or mic input on a mixer, or similar equipment.</p>
The RB-TGHD is an 8 channel audio tone generator that provides line identification for multi-channel audio systems, including 5.1 and 7.1 surround sound typically used in high definition television broadcasts. By using a range of widely accepted industry standard tone sequences such as the EBU R49, GLITS and BLITS tones, channel identification and associated levels can be determined easily. Correct channel configuration in fold-down mixes can also be highlighted when a broadcaster needs to mix several audio channels into a stereo feed.</p><p>The RB-TGHD caters for 2, 4, 6 and 8 channel configurations and all of the available audio tone sequences for each channel configuration can be cycled through automatically, or selected manually, and a loop mode allows patterns of tones to be repeated. A bank of 4 pushbuttons on the front panel sets these options and the associated LEDs indicate the current setting. A set of 8 LEDs on the front panel indicate which channel is currently outputting audio with the LEDs numbered as both 1-8 and as L, R, C, LFE, LS, RS, LR and RR.</p><p>The RB-TGHD is available in two variations, each providing both analogue and digital audio outputs. The RB-TGHDX offers balanced AES/EBU digital audio outputs on 3 pin XLR connectors and the RB-TGHDB has unbalanced digital audio outputs on BNC connectors. Both types provide 8 balanced analogue outputs on 3 pin XLR connectors.</p><p>A wordclock synchronising input on BNC connector allows the digital outputs to be synchronised to an external signal. Optionally, an RB-SYA or RB-SYD video sync board can be fitted, to synchronise the unit to either an analogue or digital sync signal. A SYNC LED on the front panel indicates when the unit is synchronised to the external signal.</p><p>The audio level line-up of the RB-TGHD can be adjusted from 0dBu to +24dBu in 1dBu steps (ref FSD) to suit different environments via the front panel mounted DIP switches. Changing the audio line-up does not affect the gain relationship between each channel, ensuring that correct levels through the target system can be maintained. These switches also provide settings for digital sample rate which ranges from 32 kHz to 192 kHz, and digital sample width which is either 16 bit or 24 bit.</p><p>The serial port allows the RB-TGHD to be connected to a PC running SCi, the Sonifex Serial Control Interface. This allows full control of the unit and the ability to generate a user defined audio tone sequence. In addition, a remote port on the rear provides a simple interface to control the unit and has several outputs to indicate which tone sequence is active.</p>
The RDL <b>RU-MLB4</b> modules are Dante audio network interface products compatible with microphones and line-level audio equipment inputs and outputs. These modules are designed to be mounted in equipment racks, closets, conference tables and on shelves or backboards in commercial/industrial installations.</p><p><b>Application</b><br />The RU-MLB4 is a high quality converter that provides professional line-level outputs from four Dante network received audio channels. It also converts four professional or consumer line-level sources, or dynamic or condenser microphones to Dante network audio channels.</p><p><b>Network to Line Level Interface Section</b><br />The RU-MLB4 converts four Dante audio channels to balanced line level. Each output provides +4 dBu balanced for a network digital audio level of -18 dBFS. The professional output directly interfaces with other professional and commercial equipment without the need for additional gain. Crosstalk is below the noise floor between all outputs across the entire audio spectrum. The noise floor is better than 80 dB below operating level.</p><p>One front-panel green signal LED corresponds to each of the four Dante input channels. Received audio level is indicated on the variable-intensity LED indicator, facilitating setup when a networked computer is not connected at the module's location.</p><p><b>Mic or Line Level to Network Interface Section</b><br />The RU-MLB4 converts four audio sources to Dante networked digital audio channels. Each input is equipped with a rear-panel input selector the installer sets to mic or line. In the mic position, the balanced input provides P48 phantom to an associated microphone jack. Connection of a dynamic microphone sets the preamplifier gain to 60 dB. Connection of a condenser microphone sets the gain to 40 dB. The automatic gain setting is always active so that no user adjustment is required when changing microphones. In the line position, the balanced input accepts a standard +4 dBu source, and the unbalanced line input terminals accept a -10 dBV source for normal operating level. Separate wiring terminals are provided for balanced and unbalances sources. A front-panel variable-intensity LED indicator is provided for each of the four inputs to facilitate setup.</p><p>The RU-MLB4 is powered from an external 24 Vdc power supply, available separately. The RU-MLB4P is equipped to operate from a PoE enabled network switch. The RU-MLB4P will reserve power from the switch even while being powered from an external 24 Vdc supply. If PoE power and an external 24 Vdc supply are both feeding an RU-MLB4P, the unit will run from the external supply and will seamlessly switch over to PoE power upon loss of the external supply.</p><p>The RU-MLB4's superior performance specifications make it ideally suited to the most demanding installations, and an exceptional value in commercial networked audio systems.</p><p>The RU-MLB4 is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. Built to last. Built to outperform.</p>
The Rip-Tie CableCarrier attaches to a belt loop or tool belt for easy access to extra cables: power cords, speaker, microphone or lighting cables.<br />Size: 1 x 9 Inches</p><p>It can also be used as a temporary hanger for cable runs during events, construction or installations.</p><p><strong>Note: Carabiners are non-load bearing and are not to be used in personal safety applications.</strong></p><p>Color Options: Black, Brown, Blue, Green, Grey, Red, Orange, Violet, White, Yellow, Neon Green, Neon Orange, and Neon Pink.</p>
The RM-2S4 is a1U rack-mount unit offering quality loudspeaker monitoring and accurate, high-resolution metering of up to four stereo audio sources and more with the addition of optional expansion cards. Sources may be in any mixture of analogue and AES/EBU digital formats, with sample rates up to 192kHz accepted. Audio inputs can be analogue or digital because they are autoswitching using the left Neutrik? XLR for AES/EBU, or both Neutrik? XLRs for analogue inputs and they can be used in any combination.</p><p>Analogue inputs can be balanced or unbalanced in any combination. The digital inputs have switchable AES/EBU termination for (close-range) bridging operation and there is extra global input gain available for both analogue and digital low-level sources.</p><p>Sources (and additional banks of sources, if fitted) are selected via a front panel rotary encoder, with clear LED indication of the current selection.</p><p>The level of the chosen source is displayed on a pair of bright, multicoloured 53-segment bargraph meters, with a choice of seven accurately modelled scales/responses to suit different applications and local preferences. Clear scale labels are provided for you to chose the scale displayed and the meter brightness can be adjusted from the front panel. A separate phase meter indicates channel correlation or phase error conditions. On the rear panel, open-collector alarm outputs provide hardware indication of sustained underlevel, overlevel, phase errors and digital source lock.</p>
The RU-NFD modules are Dante audio network interface products compatible with RDL Format-A twisted pair products. These modules are designed to be mounted in equipment racks, closets, conference tables and on shelves or backboards in commercial/industrial installations.</p><p>APPLICATION: The RU-NFD is an RDL Format-A sender/distributor that connects to a Dante-enabled network. It converts three Dante audio channels to RDL Format-A. Each network channel corresponds to Pair A, B or C of the Format-A outputs. The unit converts a fourth Dante audio channel to a balanced line-level AUX output.</p><p>One front-panel green signal LED corresponds to each of the four Dante input channels. Received audio level is indicated on the variable-intensity LED indicator, facilitating setup when a networked computer is not connected at the module?s location.</p><p>The Format-A output is distributed to three separate rear-panel RJ45 jacks. Each Format-A output jack provides up to 200 mA of power to connected Format-A receivers. Multiple receivers may be daisy chained from one output jack, or may be connected by home run to each of the three outputs. Higher current Format-A receivers, such as RDL D-PSP1A powered Decora-style speakers, are to be individually connected to a separate output jack.</p><p>The RU-NFD output jacks support the entire range of Format-A receivers, making each output pair available for end-user connection on various wall plates, or feeding other equipment using rack-mounted, shelf-mounted or utility Format-A receivers. The wide array of Format-A receivers provide compatibility with commercial audio equipment operating at standard professional levels. High resolution digital audio converters coupled with RDL?s renowned analog filters provide superior fidelity with a very low noise floor. Each Format-A receiver may be connected near the RU-NFD or up to several thousand feet distant.</p><p>The RU-NFD is powered from an external 24 Vdc power supply, available separately. The external supply powers the RU-NFD and Format-A receivers connected to all three Format-A outputs. The RU-NFDP is equipped for PoE which powers the RU-NFD and Format-A receivers connected to the primary Format-A output jack. Audio is also distributed to the other two output jacks. Remote Format-A receivers connected to those other two output jacks are only powered from the RU-NFDP if an external 24 Vdc power supply is connected. If PoE power and an external 24 Vdc supply are both feeding an RU-NFDP, the unit will run from the external supply and will seamlessly switch over to PoE power upon loss of the external 24 V supply. The power feeding each Format-A RJ45 connector is separately protected by an automatically resetting fuse. A power LED is associated with each connector, facilitating identification of wiring faults.</p><p>PoE relies on the use of a PoE enabled network switch. The RU-NFDP will reserve power from the switch even while being powered from an external 24 Vdc supply.</p><p>The RU-NFD is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. Built to last. Built to outperform.</p>
The RU-NFD modules are Dante audio network interface products compatible with RDL Format-A twisted pair products. These modules are designed to be mounted in equipment racks, closets, conference tables and on shelves or backboards in commercial/industrial installations.</p><p>APPLICATION: The RU-NFD is an RDL Format-A sender/distributor that connects to a Dante-enabled network. It converts three Dante audio channels to RDL Format-A. Each network channel corresponds to Pair A, B or C of the Format-A outputs. The unit converts a fourth Dante audio channel to a balanced line-level AUX output.</p><p>One front-panel green signal LED corresponds to each of the four Dante input channels. Received audio level is indicated on the variable-intensity LED indicator, facilitating setup when a networked computer is not connected at the module?s location.</p><p>The Format-A output is distributed to three separate rear-panel RJ45 jacks. Each Format-A output jack provides up to 200 mA of power to connected Format-A receivers. Multiple receivers may be daisy chained from one output jack, or may be connected by home run to each of the three outputs. Higher current Format-A receivers, such as RDL D-PSP1A powered Decora-style speakers, are to be individually connected to a separate output jack.</p><p>The RU-NFD output jacks support the entire range of Format-A receivers, making each output pair available for end-user connection on various wall plates, or feeding other equipment using rack-mounted, shelf-mounted or utility Format-A receivers. The wide array of Format-A receivers provide compatibility with commercial audio equipment operating at standard professional levels. High resolution digital audio converters coupled with RDL?s renowned analog filters provide superior fidelity with a very low noise floor. Each Format-A receiver may be connected near the RU-NFD or up to several thousand feet distant.</p><p>The RU-NFD is powered from an external 24 Vdc power supply, available separately. The external supply powers the RU-NFD and Format-A receivers connected to all three Format-A outputs. The RU-NFDP is equipped for PoE which powers the RU-NFD and Format-A receivers connected to the primary Format-A output jack. Audio is also distributed to the other two output jacks. Remote Format-A receivers connected to those other two output jacks are only powered from the RU-NFDP if an external 24 Vdc power supply is connected. If PoE power and an external 24 Vdc supply are both feeding an RU-NFDP, the unit will run from the external supply and will seamlessly switch over to PoE power upon loss of the external 24 V supply. The power feeding each Format-A RJ45 connector is separately protected by an automatically resetting fuse. A power LED is associated with each connector, facilitating identification of wiring faults.</p><p>PoE relies on the use of a PoE enabled network switch. The RU-NFDP will reserve power from the switch even while being powered from an external 24 Vdc supply.</p><p>The RU-NFD is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. Built to last. Built to outperform.</p>